Audio drives the cut.You keep the creative part.
RIM CHOP analyses the audio, syncs your festival cameras and places each cut on the drop. You get a fully switchable multicam edit directly in your open Resolve or Premiere project.
From footage to finished reel.
Load the cameras, let RIM CHOP find the drops, open a switchable multicam edit in your NLE. The whole way through, nothing is flattened.
Pull straight from your open project.
Drop in every camera and a reference track — or let RIM CHOP read the project you already have open. It sees your sequences, your media pool, your timecode, and takes it from there.
RIM CHOP cuts hard on every drop.
RIM CHOP syncs the cameras and cuts hard on every drop, with weighted roles and anti-repeat.
Wrong camera? One key.
RIM CHOP puts the edit back into the app you left open, and every cut still knows all your cameras. If the third drop sits on the wrong angle, you press one key instead of rebuilding the clip — your trims, zoom and shake stay where they are.
The real workspace.
The actual RIM CHOP interface — six screens, one flow. Flip through Sync, Intake, Analyse, Cut, Recalibrate and Deliver.
Not a sync tool. An edit.
Everything RIM CHOP builds stays editable — real multicam clips, real angles, ready to finish.
Switchable multicam
Angle per cut as a real multicam clip. Re-pick any shot — ⌥ + a number in Resolve, number keys 1–9 in Premiere — no cut slips.
Writes a real .prproj
A finished Premiere project with a pre-picked angle per cut — no plugin required. The app runs on macOS; the project opens in Premiere on any OS.
Camera RAW sync
Compatible with Blackmagic Design Blackmagic RAW — plus other professional camera RAW through the manufacturer SDKs — footage ffmpeg can't open.
Drop-driven cuts
Beat and energy detection place a hard cut on the drop with weighted camera roles.
Local captions
On-device Whisper captions with animated styles. No clips uploaded anywhere.
Auto-reframe
Five formats — 16:9 · 9:16 · 4:5 · 1:1 · 5:4 — grade-preserving.
Straight into your NLE.
Not a file hand-off. RIM CHOP talks to Resolve and Premiere while they are open — it reads your running project and the finished edit lands in the app you already have in front of you. The whole conversation stays on your machine.
Flexible plans. Founder rate at launch.
Choose monthly, yearly, a 6-month season pass or the free tier. The first 30 editors pay €99 for their first year.
Swipe sideways to compare all four plans →
- 20 days with every feature
- Then free with a watermark
- All cameras · no time limit
- Flexible, month to month
- Unlimited cameras
- All features
- Everything, all year
- Unlimited cameras
- All updates included
- Pay for the season you shoot
- Unlimited cameras
- All features
Prices planned for launch · local VAT at checkout
A tool for me. A tool for you.
RIM CHOP grew out of real full-night festival shoots. Syncing a wall of cameras and razoring every reel by hand ate entire nights; existing tools either missed professional RAW or stopped before the actual edit. RIM CHOP handles that routine and returns a switchable multicam project in Resolve or Premiere — so the machine does the repetitive work and you keep the creative decisions.
Good to know.
Do I need DaVinci Resolve Studio?
What sync methods are supported?
Can I still edit after RIM CHOP builds the reel?
What does it output?
.prproj with multicam and a pre-selected angle per cut. Reels reframe to five formats — 16:9, 9:16, 4:5, 1:1 and 5:4.Which platform?
Is it available now?
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Trademarks & SDKs
RAW support in RIM CHOP is built with the Blackmagic RAW SDK and other professional camera RAW SDKs. RIM CHOP is compatible with Blackmagic Design Blackmagic RAW.
RIM CHOP is an independent product, not affiliated with, endorsed, certified or guaranteed by Blackmagic Design or Adobe. Blackmagic RAW is a trademark of Blackmagic Design Pty. Ltd.; Adobe and Premiere Pro are trademarks of Adobe Inc. All other trademarks are the property of their respective owners.